impressionist painting of waterloo bridge in pinks, yellows, browns and greens, image depicts a body of water with bridge in the background. Bridge is made of stone and composed of a series of arches

We look forward to welcoming visitors back into our galleries this August, when we will have three new exhibitions to share with you. In the meantime, please enjoy our remote offerings and virtual programming.

 

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 Claude Monet, Waterloo Bridge (detail), 1903

We look forward to welcoming visitors back into our galleries this August, when we will have three new exhibitions to share with you. In the meantime, please enjoy our remote offerings and virtual programming.

 

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 Claude Monet, Waterloo Bridge (detail), 1903

stone outdoor sculpture of a seated figure holding themselves in their arms forming almost a spherical shape with their entire body

We look forward to welcoming visitors back into our galleries this August, when we will have three new exhibitions to share with you. In the meantime, please enjoy our remote offerings and virtual programming.

 

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Jane Washburn, Genesis, 1958

We look forward to welcoming visitors back into our galleries this August, when we will have three new exhibitions to share with you. In the meantime, please enjoy our remote offerings and virtual programming.

 

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Jane Washburn, Genesis, 1958
photo graph of woman lying down showing back of her head. She has black hair draping down and bullet casings make up the complete background

We look forward to welcoming visitors back into our galleries this August, when we will have three new exhibitions to share with you. In the meantime, please enjoy our remote offerings and virtual programming.

 

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Lalla Essaydi, Bullets Revisited (detail), 2014 

We look forward to welcoming visitors back into our galleries this August, when we will have three new exhibitions to share with you. In the meantime, please enjoy our remote offerings and virtual programming.

 

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Lalla Essaydi, Bullets Revisited (detail), 2014 

wood carving detail from a totem pole from british columbia. Can only see eyes and nose painted in green and black

We look forward to welcoming visitors back into our galleries this August, when we will have three new exhibitions to share with you. In the meantime, please enjoy our remote offerings and virtual programming.

 

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Calvin Hunt and Tom Hunt, Kwagiuth Totem Pole (detail), 1993 

We look forward to welcoming visitors back into our galleries this August, when we will have three new exhibitions to share with you. In the meantime, please enjoy our remote offerings and virtual programming.

 

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Calvin Hunt and Tom Hunt, Kwagiuth Totem Pole (detail), 1993 

carved masks from africa made of wood, rope, clay, colored dark brown, abstracted faces with animal qualities

We look forward to welcoming visitors back into our galleries this August, when we will have three new exhibitions to share with you. In the meantime, please enjoy our remote offerings and virtual programming.

 

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(left) Mask of the Komo Society, Bamana people, Mali (detail), mid-20th century 
(right) Protective Figure, Fon people, Benin (detail), 20th century 

We look forward to welcoming visitors back into our galleries this August, when we will have three new exhibitions to share with you. In the meantime, please enjoy our remote offerings and virtual programming.

 

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(left) Mask of the Komo Society, Bamana people, Mali (detail), mid-20th century 
(right) Protective Figure, Fon people, Benin (detail), 20th century 

abstract large scale metal sculpture comprised of geometric shapes rust color

We look forward to welcoming visitors back into our galleries this August, when we will have three new exhibitions to share with you. In the meantime, please enjoy our remote offerings and virtual programming.

 

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Joel Perlman, Big Diamond, 1982

We look forward to welcoming visitors back into our galleries this August, when we will have three new exhibitions to share with you. In the meantime, please enjoy our remote offerings and virtual programming.

 

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Joel Perlman, Big Diamond, 1982

detail of classical painting of the madonna

We look forward to welcoming visitors back into our galleries this August, when we will have three new exhibitions to share with you. In the meantime, please enjoy our remote offerings and virtual programming.

 

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 Ambrogio Borgognone, Madonna and Child (detail), 1490

We look forward to welcoming visitors back into our galleries this August, when we will have three new exhibitions to share with you. In the meantime, please enjoy our remote offerings and virtual programming.

 

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 Ambrogio Borgognone, Madonna and Child (detail), 1490

intricately wood carbed doorway. Carvings make organic shapes such as leaves, flowers and lotus plants.

We look forward to welcoming visitors back into our galleries this August, when we will have three new exhibitions to share with you. In the meantime, please enjoy our remote offerings and virtual programming.

 

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Temple Front, Java (detail) Early 20th century 

We look forward to welcoming visitors back into our galleries this August, when we will have three new exhibitions to share with you. In the meantime, please enjoy our remote offerings and virtual programming.

 

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Temple Front, Java (detail) Early 20th century 

woven glass kimono

We look forward to welcoming visitors back into our galleries this August, when we will have three new exhibitions to share with you. In the meantime, please enjoy our remote offerings and virtual programming.

 

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Eric Marklow and Thom Norris, Summer Zenith Kimono (detail), 2013 

We look forward to welcoming visitors back into our galleries this August, when we will have three new exhibitions to share with you. In the meantime, please enjoy our remote offerings and virtual programming.

 

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Eric Marklow and Thom Norris, Summer Zenith Kimono (detail), 2013 
outdoor metal sculpture painted white consiting of triangular shapes leaning against one another

We look forward to welcoming visitors back into our galleries this August, when we will have three new exhibitions to share with you. In the meantime, please enjoy our remote offerings and virtual programming.

 

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Beverly Pepper, Acension/Descension, 1974-1975 

We look forward to welcoming visitors back into our galleries this August, when we will have three new exhibitions to share with you. In the meantime, please enjoy our remote offerings and virtual programming.

 

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Beverly Pepper, Acension/Descension, 1974-1975 
abstract painting in thick colors of black, brown, tan and red, impasto technique employed

We look forward to welcoming visitors back into our galleries this August, when we will have three new exhibitions to share with you. In the meantime, please enjoy our remote offerings and virtual programming.

 

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Peter Voulkos, Red Edge (detail), 1959 

We look forward to welcoming visitors back into our galleries this August, when we will have three new exhibitions to share with you. In the meantime, please enjoy our remote offerings and virtual programming.

 

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Peter Voulkos, Red Edge (detail), 1959 
painting of classical ruins with christ healing the lame at the pool of bethesda

We look forward to welcoming visitors back into our galleries this August, when we will have three new exhibitions to share with you. In the meantime, please enjoy our remote offerings and virtual programming.

 

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Giovanni Paolo Pannini, A Capriccio of Classical Ruins with Christ Healing the Lame at the Pool of Bethesda (detail), 18th century 

We look forward to welcoming visitors back into our galleries this August, when we will have three new exhibitions to share with you. In the meantime, please enjoy our remote offerings and virtual programming.

 

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Giovanni Paolo Pannini, A Capriccio of Classical Ruins with Christ Healing the Lame at the Pool of Bethesda (detail), 18th century 

Join us on June 24

Join us for a virtual conversation between the artist William Wegman and John Reuter, the director of the 20x24 Studio, about their experience bringing this refrigerator-sized camera to Miami.  

 

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Art & Art History

The Department of Art and Art History offers undergraduate and graduate study, bringing together talented students and a faculty of highly regarded professional artists and art historians.

LOWE EVENTS:

From its origins in three classrooms in 1950, the history of the Lowe Art Museum reflects an unswerving commitment to fulfill its mission to serve the University of Miami as a teaching resource, and the residents of and visitors to greater Miami as its major general art museum.