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PLATE 71 Liset Castillo Mouth of Sand

El Pasado Mio/ My Own Past

May 1 – September 12, 2026

This landmark exhibition celebrates the work of forty-three Afro-Cuban artists who were active between the 1820s and the present. While several of those featured have achieved global fame, many have yet to receive the attention they deserve. Inspired by an influential 1988 exhibition.
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Wifredo Lam - Mujer con Pelo Largo

Afrocubanismo: Highlights from the Ramón and Nercys Cernuda Collection

May 1 – September 12, 2026

Artists in 1930s Cuba navigated competing pressures between academic success, avant garde innovation, and European modernism, giving rise to Afrocubanismo, a movement that re-centered Afro Cuban culture as fundamental to modern Cuban identity while remaining entangled with exoticism and racial stereotyping. Drawing on the Ramón and Nercys Cernuda Collection, the Lowe Art Museum’s exhibition—guest curated by Alejandro de la Fuente—presents key Afrocubanista works, including by Wifredo Lam, to illuminate the complex social and cultural forces shaping twentieth century Cuban art.
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Imagined Worlds

Imagined Worlds: Landscape and Narrative in the Lowe Art Museum’s Old Masters’ Collection

October 3, 2025 – February 14, 2026

Ever since Renaissance artists developed the drawing technique of linear perspective, Western artists have conceived of paintings as illusory windows onto imagined worlds. The paintings from the Lowe’s collection of European Old Masters included in this exhibition show varied ways that artists used landscape as a visual strategy to strengthen narratives and deepen characterization in the Renaissance and Baroque periods.
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Petah Coyne

Petah Coyne: How Much A Heart Can Hold

September 19, 2025 – March 14, 2026

Organized into three thematic sections—Women’s Work, Women Obscured and Transformed, and Women’s Relationships—this exhibition highlights Coyne’s fascination with feminine identity and her deep reverence for underrecognized female writers and historical figures. It also provides a compelling snapshot of the artist’s decades-long career and is complemented by a fully illustrated scholarly catalogue.

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Lowe exhibitions and programs are funded in part by the State of Florida, Department of State, Division of Arts and Culture, the Florida Council on Arts and Culture, and the National Endowment for the Arts; the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, Miami-Dade Mayor and Board of County Commissioners; the City of Coral Gables; Beaux Arts Miami; Lowe Advisory Council; and Lowe members.

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